Below is a schedule of all UF graduate students and faculty presenting at this year’s Society for Cinema and Media Studies Conference in Boston, MA March 21-25th.
Wednesday March 21
2:00-3:45pm
Melissa Molloy (Chair) “Sex, Brutality, and Childhood in Films of the Argentine Countryside”
Gerardo Muñoz (Co-chair) “Violence as Potentiality: The Case of Aristarain’s Tiempo de Revancha”
Panel: Violence in Contemporary Latin-American Cinema
Room C2
Thursday March 22
11:00am-12:45pm
Scott Nygren (Chair) “Animals, Communists, and Caves: Benjaminian Time in Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives (2010)”
Panel: Aesthetics and Politics
Room F12
Melanie Brunnell (Chair) “Paradise Lost, Hope Regained: The Tramp’s Final Journey in Modern Times”
Wylie Lenz (Co-chair) “Cinematic Solutions to Economic Crisis”
Panel: Depictions of Poverty in American Cinema
Room F15
1:00-2:45pm
Ying Xiao (Chair) “From Body Crossing to Border Crossing: Refiguring Gender, Genre, and Transnational Imaginary in Postwar Chinese Cinema”
Panel: Cold War Politics and East Asian Cinema Reconsidered
Room G11
3:00-4:45pm
Kevin Sherman (Chair) “Dennis Tupicoff’s Chainsaw and the Politics of Location”
Todd Jurgess “Texture as Gesture in His Mother’s Voice”
Panel: The Paradoxes of Truth and Evidence: The Work of Dennis Tupicoff
Room H11
Maureen Turim “Designs of Spaces One Survives with Difficulty”
Panel: Cinema, Architecture, Space
Room H21
5:00-6:45pm
Lauren Glenn (Chair) “‘You Know You Can Shoot People Here’: American Cinematic Identity in Post-9/11 Combat Films”
Panel: Cinematic Identity Formation: The Ethics of Representation in Historical Fiction Films
Room I13
Craig Cieslikowski (Participant)
Workshop: Video Essays: Film Scholarship’s Emergent Form
Room I25
Friday March 23
12:15-2:00pm
Allison Rittmayer (Chair) “The Unseen and the Unseeable: Using Ellipsis to Represent Torture”
Panel: Historical Fiction Film: Questions of Form and Ethics
Room K17
Saturday March 24
9:00-10:45am
Emily Murphy (Chair) “The Politics of Play in John and Faith Hubley’s Windy Day”
Panel: Experimental Animation
Room M16
11:00am-12:45pm
Barbara Mennel “Potiche: Camp and Reproductive Labor”
Panel: The Ethics of Labor in Contemporary Cinema: Working Bodies and Gendered Affects
Room N13
3:00-4:45pm
Mark Reid (Respondent)
Panel: Beyond Blaxploitation, 1970–1975
Room P15
5:00-6:45pm
Tamar Ditzian “Transgender’s Transgressions Undone in Hedwig and Rocky Horror: Reviewing Queerness in the Glam Rock Musical”
Panel: Sing-a-longs and Dance-a-thons Re-visioning the Contemporary Musical on Film and Television
Room Q2
Sunday March 25
9:00-10:45am
Mark Reid “Many Rivers to Cross with Christian and Muslim Flows”
Panel: The Trouble with Britishness
Room R7
Marina Hassapopoulou “Interactive Cinema: Expanding and Updating Film Theory”
Panel: Expanded Cinema in Four Dimensions: Origins, Senses, Interactivity, Publicness
Room R25
11:00am-12:45pm
Anthony Coman “Nev’s Dilemma, or the Coming Community of Catfish”
Panel: Communities/Masses/Networks
Room S8
Craig Cieslikowski “Writing Sounds: Cinematic Writing and Cinephilia”
Panel: “A Cinema Haunted by Writing”
Room S10